Two men are violently killed in an ambush, a sealed envelope containing an undisclosed amount is taken from them. The crime, ordered by an old, mysterious and nameless man, will start a love story (and revenge) that will involve Álvaro, the author of the murders, Paulo and the prostitute Sônia.

When a womanizing, reality dating TV producer runs into his college crush, he realizes his bar-hopping, bed-hopping ways are leaving him unfulfilled so he has the only woman he ever had feelings for re-train him to become the nice guy he once was.

When a womanizing, reality dating TV producer runs into his college crush, he realizes his bar-hopping, bed-hopping ways are leaving him unfulfilled so he has the only woman he ever had feelings for re-train him to become the nice guy he once was.

Gabriel, a professor of philosophy and logic of night school, which runs through marital problems, and that when he meet a new young student who suddenly disappear after she closer to the prophetic drawings of Benjamin Solari Parravicini, will be immersed in trying to understand the meaning of these drawings, embarking with his cousin Tony, a story of suspense, intrigue and drama.

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

http://www.youtube.com/watch?v=hUcvhGJFexc 　　7 min

http://www.youtube.com/watch?v=hUcvhGJFexc 　　7 min

The attempt to accompany the creative process (with the inevitable difficulties and silences) of five women-dancers-choreographers, in their experience of creating a work of dance theater.

Film's title roughly translates as "window lookers, garbage, etc." Kren juxtaposes blocks of images in montage sections cut to different rhythms and speeds. The "window lookers" - old people who rest elbows on pillows at windows - view the activities on the streets below: this action begins and ends the film and is repeated within the work many times. There are also sections depicting debris and broken glass, pedestrians, and positive and negative images of the moon. Splice marks, especially during the window scenes, are apparent, punctuating the silent work and reminding us of the film. While we may make associations among the image clusters, there is no narrative per se, and the rapid cutting purposefully undercuts any emotional expressiveness the material might contain.